Abraham Ozler Movie Review: Serial Killer Chase Loses Steam Quickly, Lacking The Sustained Intensity
Abraham Ozler falls short of making a lasting impact, ultimately presenting itself as a passable yet unexceptional thriller.
Abraham Ozler, the latest thriller helmed by Midhun Manuel Thomas, marks Jayaram's return in a mixed-bag cinematic journey. As it endeavors to carve a narrative path through familiar thriller tropes, the film grapples with finding its unique identity, carrying subtle echoes of Anjaam Paathiraa both visually and tonally, as suggested by the director in promotional interviews. While the movie showcases moments of cinematic grandeur seemingly tailored for a theatrical experience, Abraham Ozler falls short of making a lasting impact, ultimately presenting itself as a passable yet unexceptional thriller.
The plot unfolds with Abraham Ozler, the ACP of Thrissur, navigating personal turmoil after the devastating loss of his wife and daughter three years prior. Amid his quest for emotional recovery, Ozler is thrust into the investigation of the murder of an IT employee within a hospital. As the narrative unfolds, a recurring pattern emerges, pointing to the presence of a serial killer. The film follows Ozler and his team as they relentlessly pursue the elusive murderer.
In terms of screenplay, Abraham Ozler treads familiar ground, attempting to navigate the well-established conventions of the thriller genre. While the film introduces moments of visual splendor, it struggles to break free from the formulaic storytelling approach common in crime thrillers, failing to inject the necessary innovation to distinguish itself in the genre.
One positive aspect lies in the film's occasional instances of cinematic scale and style, providing viewers with visually appealing sequences. Additionally, the narrative's exploration of Ozler's personal struggles adds emotional depth to the character, offering a relatable dimension amid the suspenseful plot.
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However, the film stumbles in delivering a truly distinctive experience. Despite commendable elements, Abraham Ozler fails to rise above the generic beats characteristic of conventional thrillers. The subtle parallels with Anjaam Paathiraa may leave audiences expecting a more original narrative, contributing to a sense of unfulfilled potential.
In conclusion, Abraham Ozler, with its commendable visual efforts and emotional nuances, falls into the category of watchable thrillers but lacks the innovation to make a significant mark in the genre. Jayaram's return is noteworthy, yet the film struggles to break free from the shadows of its influences, rendering it a passable yet unremarkable addition to the thriller landscape. While it offers glimpses of promise, the film ultimately falls short of delivering a truly compelling and unique cinematic experience.
